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@ -37,9 +37,10 @@ researchers calling it by different names:
- A. Zils and F. Pachet, “Musical mosaicing,” in Proc. COST G-6 Conf. Digital Audio Effects, (Limerick, Ireland), 2001. - A. Zils and F. Pachet, “Musical mosaicing,” in Proc. COST G-6 Conf. Digital Audio Effects, (Limerick, Ireland), 2001.
- A. Lazier and P. Cook, “Mosievius: Feature driven interactive audio mosaicing,” in Proc. COST G-6 Conf. Digital Audio Effects, (Queen Mary, University of London), 2003. - A. Lazier and P. Cook, “Mosievius: Feature driven interactive audio mosaicing,” in Proc. COST G-6 Conf. Digital Audio Effects, (Queen Mary, University of London), 2003.
- D. Schwarz, "Data-Driven Concatenative Sound Synthesis." PhD thesis, l’Université Paris 6 – Pierre et Marie Curie, 2004. - D. Schwarz, "Data-Driven Concatenative Sound Synthesis." PhD thesis, l’Université Paris 6 – Pierre et Marie Curie, 2004.
For an overview of early computer music research in this area, see D. Schwarz, "Concatenative sound synthesis: The early years", J. New Music Research, vol. 35, no. 1, 2006. [https://doi.org/10.1080/09298210600696857](https://doi.org/10.1080/09298210600696857)
- [sCrAmBlEd?HaCkZ!](https://www.wired.com/2006/04/the-man-behind-scrambled-hackz/) by Sven König in 2006. - [sCrAmBlEd?HaCkZ!](https://www.wired.com/2006/04/the-man-behind-scrambled-hackz/) by Sven König in 2006.
See also the work of Canadian composer John Oswald, who _manually_ explored such approaches
For an overview of early computer music research in this area, see D. Schwarz, "Concatenative sound synthesis: The early years", J. New Music Research, vol. 35, no. 1, 2006. [https://doi.org/10.1080/09298210600696857](https://doi.org/10.1080/09298210600696857)
See also the work of Canadian composer John Oswald in the 1980s, who _manually_ explored such approaches
in his [plunderphonics](http://www.plunderphonics.com) work in his [plunderphonics](http://www.plunderphonics.com) work